The 2025 Academy Awards are hours away, and while Emilia Perez leads the way with 13 nominations, its chances at most major categories appear shot.
Anora surged at the right time after some big guild wins, but The Brutalist, Conclave, and others are still alive in what appears to be a wide-open race.
Conan O'Brien hosts the 97th edition of the Oscars on Sunday, March 2 at 7 p.m. ET. Check out our downloadable 2025 Oscars ballot before the broadcast begins.
All odds and predictions as of 3-2.
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Odds to win Best Picture
Film | ![]() |
![]() |
---|---|---|
Anora | -200 | -200 |
Conclave | +225 | +225 |
The Brutalist | +600 | +650 |
A Complete Unknown | +3500 | +5000 |
Wicked | +5000 | +6600 |
Emilia Perez | +6500 | +6600 |
The Substance | +8000 | +10000 |
I'm Still Here | +10000 | +10000 |
Dune: Part Two | +10000 | +10000 |
Nickel Boys | +15000 | +10000 |
My prediction: Conclave (+225 at bet365)
With big wins at the Producers and Directors Guild Awards, Anora has regained its status as the frontrunner for Best Picture as Emilia Perez has evaporated from contention and The Brutalist has lost momentum. Its underwhelming showing at The Golden Globes is well in the rearview, and it seems unlikely that anything will challenge it on Oscar night.
For months, I was on The Brutalist's bandwagon — and if I had my druthers, it would win — but I'm afraid that its lack of support from either of the aforementioned guilds hurts it too much to win here. However, despite the likelihood of an Anora victory — and one that would be richly deserved, even if I prefer The Brutalist — Conclave has momentum.
The pulpy papal drama/thriller was trading at +1600 in early February and was at +700 when I pegged it as a dark horse in the days leading up to the Screen Actors Guild awards. Well, after it won Outstanding Performance by a Cast, beating out Anora, it has moved to +225. It's not the best time to bet it, but it might be closer to even money or even the betting favorite by the weekend.
Odds to win Best Director
Director (Film) | ![]() |
![]() |
---|---|---|
Sean Baker (Anora) | -230 | -275 |
Brady Corbet (The Brutalist) | +160 | +200 |
Jacques Audiard (Emilia Perez) | +2000 | +2000 |
James Mangold (A Complete Unknown) | +2500 | +2500 |
Coralie Fargeat (The Substance) | +2500 | +2500 |
My prediction: Brady Corbet, The Brutalist (+200 at bet365)
For a spell, Corbet was running away with this and was listed at -500. The PGA and DGA wins for Anora have boosted Sean Baker's chances significantly. I'm not going to jump on that bandwagon — though it would have been nice to get a couple of shares of Baker when he was +450 — and sticking with Corbet at plus money now. I wasn't betting on him at -500, but the added value is appealing. Still, Baker's guild wins may be all we need to know it's his.
Odds to win Best Actor
Actor (Film) | ![]() |
![]() |
---|---|---|
Adrien Brody (The Brutalist) | -250 | -275 |
Timothee Chalamet (A Complete Unknown) | +150 | +200 |
Ralph Fiennes (Conclave) | +1800 | +1400 |
Sebastian Stan (The Apprentice) | +3500 | +3300 |
Colman Domingo (Sing Sing) | +5000 | +3300 |
My prediction: Timothee Chalamet, A Complete Unknown (+200 at bet365)
I bet Timothee Chalamet when he was +187 and am sticking to it, especially after he won at the Screen Actors Guild. He's been extremely visible on the campaign trail — playing Dylan songs on SNL was a nice touch — and delivered an all-timer speech after his SAG win. While voters have already submitted their picks for the Oscars, SAG is a pretty good measuring stick for acting awards.
Odds to win Best Actress
Actress (Film) | ![]() |
![]() |
---|---|---|
Demi Moore (The Substance) | -250 | -250 |
Mikey Madison (Anora) | +185 | +200 |
Fernanda Torres (I'm Still Here) | +1000 | +800 |
Cynthia Erivo (Wicked) | +3500 | +4000 |
Karla Sofia Gascon (Emilia Perez) | +5000 | +4000 |
My prediction: Demi Moore, The Substance (-250 at DraftKings)
I'm waffling here. I was behind Demi Moore all winter until Mikey Madison started picking up guild wins, which brought her odds very close to even money. Moore winning at SAG really throws a wrench into that momentum, though, and I think the narrative of "it's time" for The Substance lead will pay off.
Odds to win Best Supporting Actor
Actor (Film) | ![]() |
![]() |
---|---|---|
Kieran Culkin (A Real Pain) | -3500 | -5000 |
Edward Norton (A Complete Unknown) | +1100 | +1200 |
Yura Borisov (Anora) | +1800 | +2000 |
Guy Pearce (The Brutalist) | +2000 | +2000 |
Jeremy Strong (The Apprentice) | +2000 | +2000 |
My prediction: Kieran Culkin, A Real Pain (-3500 at DraftKings)
I'm throwing in the towel on Guy Pearce. If you've followed my updates here, you'll know that I've been high on Guy Pearce's performance as wealthy industrialist and artistic benefactor Harrison Van Buren in The Brutalist and even was intrigued by the value associated with his dark-horse odds.
But Kieran Culkin has been such a buzzsaw throughout awards season that it would be foolish to bet against him.
Odds to win Best Supporting Actress
Actress (Film) | ![]() |
![]() |
---|---|---|
Zoe Saldana (Emilia Perez) | -2500 | -2500 |
Ariana Grande (Wicked) | +800 | +1000 |
Felicity Jones (The Brutalist) | +1400 | +2000 |
Isabella Rossellini (Conclave) | +2000 | +1400 |
Monica Barbaro (A Complete Unknown) | +2500 | +2500 |
My prediction: Zoe Saldana, Emilia Perez (-2500 at DraftKings)
For as mixed-to-hostile as some of the hyper-online reaction has been to Emilia Perez, Zoe Saldana has more or less come out looking like the movie's All-Star. I don't see a great alternative here like I do in Best Supporting Actor. If I had to take a stab at an upset, it's Monica Barbaro as Joan Baez in A Complete Unknown. One, it's good value at +2500. And two, she's been touted for her role in that film all fall and winter, particularly because she apparently learned to sing for it.
However, after winning at SAG, I think Saldana is safe.
Odds to win Best Animated Feature
Film | ![]() |
![]() |
---|---|---|
The Wild Robot | -310 | -275 |
Flow | +200 | |
Wallace & Gromit: Vengeance Most Fowl | +1600 | +1600 |
Inside Out 2 | +2000 | +2200 |
Memoir of a Snail | +3500 | +2800 |
My prediction: Flow (+225 at DraftKings)
Switching gears a bit here, as I've held onto the chalky pick of The Wild Robot throughout the season, but with Flow moving to +225, I think it's a fine value play before the awards are announced. The Academy is less America-centric than ever and Flow has been widely celebrated for its innovations and creativity. I'm still picking The Wild Robot when doing Oscars pools, but the value on +225 for Flow is intriguing enough, especially since it's also a nominee in Best International Feature, so there's a lot of support for it.
Odds to win Best International Feature
Film | ![]() |
![]() |
---|---|---|
I'm Still Here | -200 | -225 |
Emilia Perez | +140 | +100 |
The Seed of the Sacred Fig | +1600 | +1400 |
Flow | +2500 | +2500 |
The Girl with the Needle | +5000 | +4000 |
My prediction: I'm Still Here (-200 at DraftKings)
Emilia Perez is more polarizing than its 13 nominations suggest and while winning International Feature seemed like the logical consolation prize before eventually coming up short in the Best Picture race, I'm Still Here has come on strong in the wake of Emilia Perez's controversies and is now the betting favorite.
The Brazilian feature has received far more rapturous reviews and also received a Best Picture nomination. I bet this when it was +450 in January, so, unfortunately, the value has dried up. And Emilia Perez's odds haven't gone far enough in the other direction to warrant a flier.
Odds to win Best Documentary Feature
Film | ![]() |
![]() |
---|---|---|
No Other Land | -165 | -150 |
Porcelain War | +150 | +130 |
Sugarcane | +700 | +650 |
Soundtrack to a Coup d'Etat | +1600 | +1600 |
Black Box Diaries | +2000 | +2000 |
My prediction: No Other Land (-150 at bet365)
No Other Land doesn't have theatrical distribution in the United States yet, and while this initially seemed to help its chances, Porcelain War has narrowed the gap in the odds.
No Other Land is a social justice movie centering the strife of Palestinian citizens in Gaza, and maybe it's seen as too much of a hot-button topic for the Academy to deal with. That reasoning would be cowardly, but the lack of full-throated support for the film outside its critical reception is concerning.
However, Porcelain War's odds have gradually shortened, potentially indicating a win in a category that once looked locked-up.
Odds to win Best Original Screenplay
Film | ![]() |
![]() |
---|---|---|
Anora | -250 | -250 |
The Substance | +300 | +400 |
A Real Pain | +450 | +350 |
The Brutalist | +1400 | +1400 |
September 5 | +4000 | +3300 |
My prediction: A Real Pain (+450 at DraftKings)
A Real Pain has shot up to +450 after sitting around +900 just a week ago. Jesse Eisenberg has been highly visible throughout awards season and won at the BAFTAs and Independent Spirit Awards. This helium may be a mirage, but I don't think so. It still has value at +450, which has an implied probability of 18%, and I'm willing to wager its chances are better than that.
Odds to win Best Adapted Screenplay
Film | ![]() |
![]() |
---|---|---|
Conclave | -1800 | -1000 |
Nickel Boys | +900 | +750 |
Emilia Perez | +1200 | +1000 |
A Complete Unknown | +2000 | +2200 |
Sing Sing | +2500 | +2200 |
My prediction: Nickel Boys (+900 at DraftKings)
Conclave is probably the winner here, as the odds suggest, but Nickel Boys is an intriguing title, especially if you buy into the idea that screenplay historically skews a little more imaginative when it comes to the awards it doles out. RaMell Ross' debut narrative feature film — he previously directed the documentary Hale County This Morning This Evening — hasn't been as widely seen as some others, but it has been widely hailed as one of the most inventive and creative films of the year.
Since initially picking Nickel Boys at +1600 — when it had the longest odds in the category — it has gained momentum, likely as more voters have seen and been affected by it. It moved to +1000 last week and has shot up even further to +750. I'm still a little hesitant because Conclave is looking stronger in the Best Picture race.
Oddly, it missed out on Best Cinematography, which is where I'd have taken it because of its unique first-person perspective, so I'll take a flyer on it here even though I expect Conclave to win.
Odds to win Best Cinematography
Film | ![]() |
![]() |
---|---|---|
The Brutalist | -340 | -400 |
Nosferatu | +350 | +450 |
Dune Part Two | +550 | +550 |
Maria | +2000 | +1600 |
Emilia Perez | +6500 | +8000 |
My prediction: The Brutalist (-340 at DraftKings)
I simply believe The Brutalist will win most of the technical achievement honors on Oscar night even if it comes up short in Best Picture.
A curious development over the last week or two has been Maria shooting from +6600 to +2000 or shorter. It would still be a shocker, but Edward Lachman was honored by the American Society of Cinematographers, which has at least put a pin in The Brutalist being a runaway winner. If you jumped in on Maria when it was +5000 or longer, then great. Otherwise, I don't love it any shorter than +2500.
Odds to win Best Film Editing
Film | ![]() |
![]() |
---|---|---|
Conclave | -200 | -200 |
Anora | +200 | +200 |
The Brutalist | +800 | +850 |
Wicked | +1400 | +1200 |
Emilia Perez | +3500 | +4000 |
My prediction: The Brutalist (+850 at bet365)
See above. Though it should be pointed out that "editing" and "making a film shorter" are not the same thing. I wish that didn't need to be said, but almost anytime a longer film gets released, some wiseacres on Twitter all make the same crack at the same time: "Where's the editor?"
However, I have some pause here as the market has completely moved in the wrong direction, favoring Conclave and Anora ahead of The Brutalist.
Odds to win Best Original Score
Film | ![]() |
![]() |
---|---|---|
The Brutalist | -400 | -500 |
The Wild Robot | +400 | +450 |
Conclave | +800 | +1000 |
Emilia Perez | +1600 | +1800 |
Wicked | +3000 | +2200 |
My prediction: The Brutalist (-400 at bet365)
The real winner here should be Trent Reznor and Atticus Ross for their phenomenal score to Luca Guadagnino's Challengers. However, not only were they not nominated, but that movie was entirely shut out. At any rate, The Brutalist score is huge in scope and feel and it would be a shocker if it didn't win.
Odds to win Best Sound
Film | ![]() |
![]() |
---|---|---|
Dune Part Two | -400 | -250 |
A Complete Unknown | +350 | +225 |
Wicked | +400 | +600 |
The Wild Robot | +5000 | +5000 |
Emilia Perez | +5000 | +5000 |
My prediction: A Complete Unknown (+350 at DraftKings)
This is all about perceived value. While Dune 2 is favored, it is way less represented in these Oscar nominations than the first installment was in its year.
Instead, I like looking at a movie all about a particular music scene where the songs factor heavily into the film's success. You can make a similar argument for Wicked, but A Complete Unknown has more momentum behind it as a whole and moved from +800 to +600 since I originally picked it.
Briefly, bet365 has moved it to +1100 two weeks ago, but it's since shortened considerably to +350 or further, reigniting my slight optimism in the category.
Odds to win Best Original Song
Song (Film) | ![]() |
![]() |
---|---|---|
El Mal (Emilia Perez) | -280 | -250 |
The Journey (The Six Triple Eight) | +350 | +350 |
Never Too Late (Elton John: Never Too Late) | +750 | +750 |
Mi Camino (Emilia Perez) | +900 | +900 |
Like a Bird (Sing Sing) | +2000 | +2200 |
My prediction: El Mal — Emilia Perez (-275 at bet365)
Oof. Not an inspiring category. I'd avoid it altogether. It would be funny if this was finally the year Diane Warren won on her 16th nomination in the category.
Odds to win Best Visual Effects
Film | ![]() |
![]() |
---|---|---|
Dune Part Two | -1000 | -1200 |
Kingdom of the Planet of the Apes | +500 | +600 |
Wicked | +2000 | +2000 |
Better Man | +2500 | +2500 |
Alien: Romulus | +3500 | +3300 |
My prediction: Dune Part Two (-1000 at DraftKings)
Chalk. Yes, Dune 2 isn't as big a presence this time around, but it is widely renowned for how it looks and the rest of the category is either uninspiring or feels like too much of a long shot.
Odds to win Best Production Design
Film | ![]() |
![]() |
---|---|---|
Wicked | -400 | -600 |
Nosferatu | +500 | +600 |
The Brutalist | +800 | +1000 |
Conclave | +900 | +1200 |
Dune Part 2 | +3500 | +3300 |
My prediction: The Brutalist (+1000 at bet365)
Well now, this is curious. Nosferatu has seen its odds shorten considerably, jumping to second behind Wicked. That may prove to be the best dark horse in the category instead of my pick, The Brutalist.
Odds to win Best Makeup & Hairstyling
Film | ![]() |
![]() |
---|---|---|
The Substance | -1400 | -2000 |
Wicked | +600 | +800 |
Nosferatu | +1400 | +1400 |
Emilia Perez | +2800 | +2800 |
A Different Man | +3500 | +3300 |
My prediction: The Substance (-1200 at bet365)
This was a lot tighter in early February, and The Substance has since gone from around -350 to -1200. I'm not betting it at that number but I'm also not looking for an alternative.
Odds to win Best Costume Design
Film | ![]() |
![]() |
---|---|---|
Wicked | -2000 | -2000 |
Conclave | +800 | +800 |
Nosferatu | +1400 | +1400 |
A Complete Unknown | +2500 | +2500 |
Gladiator II | +3500 | +3300 |
My prediction: Wicked (-2000 at bet365)
Here it is, the one trophy for Wicked.
Odds to win Best Animated Short
Film | ![]() |
![]() |
---|---|---|
Wander to Wonder | -175 | -138 |
Yuck! | +200 | +150 |
Beautiful Men | +400 | +650 |
Magic Candles | +1400 | +1800 |
In the Shadow of the Cypress | +2000 | +2200 |
My prediction: Wander to Wonder (-225 at bet365)
The shorts categories are so hard to predict and I'll generally avoid betting on them entirely except as part of a larger Oscars pool. In which case, I will usually follow the chalk outline.
Odds to win Best Documentary Short
Film | ![]() |
![]() |
---|---|---|
I Am Ready, Warden | +110 | +110 |
The Only Girl in the Orchestra | +175 | +162 |
Incident | +330 | +300 |
Death by Numbers | +700 | +1200 |
Instruments of a Beating Heart | +3500 | +4000 |
My prediction: The Only Girl in the Orchestra (+175 at DraftKings)
Once Upon a Time in Ukraine was considered a potential frontrunner here, but ultimately didn't get a nomination. I'm taking The Only Girl in the Orchestra because it's seen the most movement toward even money, and with all five options being at plus money, it's filled with uncertainty.
Odds to win Best Live-Action Short
Film | ![]() |
![]() |
---|---|---|
A Lien | -150 | -150 |
The Man Who Could Not Remain Silent | +160 | +162 |
Anuja | +500 | +600 |
I'm Not a Robot | +1000 | +1600 |
The Last Ranger | +2500 | +4000 |
My prediction: A Lien (-150 at DraftKings)
Again, go with chalk or avoid it entirely.
2025 Oscars betting at Kalshi
Looking for more ways to wager on the Academy Awards? You're in luck! Kalshi has options available for all the most talked-about Oscar categories from Best Picture to Best Live Action Short Film.
Kalshi is a regulated prediction market platform legal in all 50 states that operates similarly to the stock exchange. It lets you buy and sell contracts — bets — with other users on real-world events, like award shows, where you can make predictions on the outright winner.
Check out some of Kalshi's most popular Oscar markets below:
Category | Option 1 | Option 2 |
---|---|---|
Best Picture | Anora (72%) | The Brutalist (19%) |
Best Actor | Adrien Brody (72%) | Timothee Chalamet (21%) |
Best Actress | Demi Moore (52%) | Mikey Madison (40%) |
Best Supporting Actor | Kieran Culkin (85%) | Guy Pearce (8%) |
Best Supporting Actress | Zoe Saldana (85%) | Ariana Grande (11%) |
Best Director | Sean Baker (55%) | Brady Corbet (42%) |
Learn more about how prediction markets work and how they differ from traditional sports betting.
Academy Awards Odds FAQ
Sean Baker's Anora is the favorite with Conclave second and The Brutalist third on February 24.
Sean Baker is the betting favorite to win Best Director.
Adrien Brody (The Brutalist) & Demi Moore (The Substance) are favored in the lead acting categories.
The 2025 Oscars are currently scheduled for March 3, 2025 at the Dolby Theatre in Hollywood.
Oppenheimer won Best Picture in 2024 as a heavy frontrunner. Altogether, Oppenheimer won seven Oscars out of its 13 nominations.
Christopher Nolan won his first Best Director Academy Award for helming Oppenheimer, which was the big winner on Oscar night.
Cillian Murphy won Best Actor for Oppenheimer while Emma Stone won Best Actress for Poor Things.