Oscars Best Picture Predictions 2025 - Wicked Looking Strong

Unlike last year, there is no obvious front-runner to win Best Picture. Nominees will be announced in January, but for now, the favorites appear to be Anora, The Brutalist, Sing Sing, Conclave, and the rising Wicked.

Jason Wilson - Publishing Editor at Covers.com
Jason Wilson • Publishing Editor
Dec 4, 2024 • 14:33 ET • 4 min read
Ariana Grande Cynthia Erivo Wicked Academy Awards
Photo By - IMAGN Images.

The 97th Academy Awards are still months away and while some of the Best Picture contenders are starting to come into focus, this is the most wide-open Oscars odds race in years.

As the biggest movies hit the biggest screens, critics awards get announced, and best-of lists roll out, we will start to get a feel for which films will be in the running come Oscar night on Sunday, March 2.

Let's look at the current Best Picture odds for the 2025 Academy Awards.

2025 Oscars Best Picture odds

Film DraftKings bet365
Anora  +175 +225
The Brutalist  +200 +162
Emilia Perez +700 +600
Sing Sing +700 +600
Wicked +900 +1,000
Conclave  +1,000 +800
Dune: Part Two +1,000 +700
Blitz  +1,400 +900
The Room Next Door  +1,600 +1,200
Saturday Night  +2,000 +1,400
Nickel Boys +2,000 +2,000
Gladiator 2 +2,000 +1,600
The Seed of the Sacred Fig  +2,500 +2,000
The Piano Lesson  +2,800 +2,500
A Real Pain +3,500 +3,300
Queer +4,000 +2,000
September 5 OTB +3,300
Small Things Like These +4,000 +3,300
All We Imagine as Light +4,000 +3,300
A Different Man +4,000 +3,300
A Complete Unknown +4,000 +3,300
The Supremes at Earl's All-You-Can-Eat +4,000 +3,300
Love Lies Bleeding +4,000 OTB
Juror No. 2 +4,000 +3,300
The Outrun +5,000 +3,300
Oh, Canada +5,000 +3,300
Nosferatu +5,000 +4,000
Maria +5,000 +3,300
Kinds of Kindness +5,000 +4,000
Shirley +5,000 OTB
Bird +6,500 +4,000
The Bikeriders +6,500 +6,600
We Live in Time +6,500 +5,000
The Beast +8,000 +5,000
Hard Truths +8,000 +6,600
Joker: Folie a Deux +10,000 +3,300
Challengers +10,000 +6,600
The Substance +10,000 +6,600
Will and Harper +10,000 +4,000

Odds as of 12-4-24.

Anora (+225)

Sean Baker has long been an indie darling, receiving accolades for his films chronicling life on the margins of American society from Tangerine to The Florida Project to Red RocketAnora may be his mainstream breakthrough (no, I'm not counting his adult puppet sitcom Greg the Bunny) after it won the Palme d'Or at Cannes in June and proceeded to bowl over critics and audiences during festival season and its limited theatrical release. 

It's genuinely funny and heartfelt while also maintaining a bubbling intensity and emotional beats, juggling tones as it follows young stripper Annie (or, the titular Anora) as she falls for the son of a Russian oligarch whom she marries on a whim, setting off a series of madcap moments as her new husband's family rallies the troops to get the union annulled.

It doesn't scream "Oscars" but in such an idiosyncratic year, an off-beat winner might make sense.

The Brutalist (+200)

In June, Brady Corbet's 3.5-hour epic The Brutalist wasn't on anyone's radar. By the end of summer, as it started rolling through film festivals, people started to take notice. It's now gearing up for a theatrical run in late December after A24 purchased its distribution rights out of Venice. 

The movie has received accolades throughout festival season, particularly for lead actor Adrien Brody and supporting actor Guy Pearce, as the film follows a Jewish architect who survives World War II and emigrates to the United States.

The New York Film Critics Circle named The Brutalist best film, also awarding Brody for his performance. Its length has been a hot topic on social media, but it remains to be seen if it will be a deterrent (Oppenheimer won Best Picture last year despite being over three hours in length). 

Sing Sing (+1,000)

After a small release in the summer, Sing Sing looked like it might be dead in the water come awards season without A24's full-throated endorsement. It was a peculiar rollout, as it still did very well on a per-screen basis. 

It will apparently receive a re-release in late December after Colman Domingo and Clarence Maclin won Outstanding Lead Performance and Outstanding Supporting Performance, respectively, at the 2024 Gotham Awards.

It wouldn't be shocking if it jumped into frontrunner status as more people see the intimate film of incarcerated men finding peace and meaning on the stage. 

Wicked (+1,000)

If box office is indicative of awards presence, Wicked will win. The adaptation of the Broadway musical crushed its opening weekend by earning north of $112 million. Twelve days into its run, it's earned nearly $270 million in the United States and another $100 million internationally.

It will certainly be the biggest non-sequel of the year, in terms of overall receipts. This doesn't mean it will translate to a Best Picture win, but I would be surprised if it isn't one of the 10 nominees.

Conclave (+1,000)

Similar to Wicked insofar as it feels somewhat classical compared to a lot of the movies atop the odds board this year. Conclave is a potboiler surrounding an election to determine the new pope after the current one dies. There is a mystery element and a thriller element at play, and it's been received relatively well critically while turning a modest profit at the box office.

For now, it doesn't feel like it has the juice to win but it will likely be a nominee.

Prediction: TBD

This is perhaps a cop-out, but I am not prepared to offer an official prediction insofar as it would be a wager I'm willing to place. The above five films are all movies I'm comfortable predicting will be among the 10 nominees for Best Picture, though, so take it for what it's worth.

If I had to pick one right now to take a flier on, it'd be Wicked. I doubt it stays at 10/1 for long and it would be the biggest crowd-pleaser on the list in what is perceived by some to be a soft year, especially compared to 2023 when we had Oppenheimer and Barbie headlining.

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Jason Wilson Covers.com
Publishing Editor

Jason Wilson is an experienced journalist who has worked in a variety of roles within the industry for the past 18 years. Working at community newspapers in New Brunswick, Jason wore many hats as a reporter, editor, and photographer, covering everything from sports to courts to municipal politics. After shifting gears and working as an educator for a few years in the 2010s, Jason returned to full-time work in media as an MLB news editor for six years at theScore in Toronto before joining Covers in late 2021.

He has honed his editorial acumen over his years in the industry, showcasing flexibility, patience, and a strong work ethic. While he was relatively new to sports betting upon joining Covers, Jason has taken the plunge with gusto to learn the ins and outs of the industry, both as a method to improve professionally and to add an extra angle to his sports fandom.

In addition to sports, Jason is an avid film nut and former movie critic who monitors the Academy Awards betting odds for Covers. Jason holds a Bachelor of Arts in journalism degree and a Bachelor of Education degree from St. Thomas University.

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